A classical masterwork, this spirited, upbeat concert work uses a Latin setting of a verse from Psalm 70. It features soprano and alto soloists who alternate with a full choral texture and can be

This early Mozart work (KV 276) contrasts soli with the full choir. Available for mixed and treble choirs, this arrangement is a vigorous seven-minute concert feature of this well-known and well-loved

Adapted from a Bach cantata, this joyful work will allow two or three part ensembles the opportunity to experience Baroque music and develop important performance techniques for tone, style and expression.

Originally written for her induction into the Accademia Filarmonica di Bologna, Marianna Martines' setting of Psalm 110 is often considered her greatest choral work. This arrangement of the first movement

An excerpt from Handel's "Israel in Egypt," this carefully edited edition is the perfect concert opener or festival piece. Scored for double choir and piano, this Baroque staple is made

Haydn's eighth setting of the ordinary of the Mass was composed in 1782 for performance in Mariazell, Austria. The brief opening portion of the Gloria has been selected for this anthem, featuring Haydn's

Engaging triple SATB choirs, this lively 16th-century work is appropriate for collegiate, community, and professional groups and will make a fantastic concert opener!

The traditional "Gloria in excelsis" text is presented with classical energy and is an accessible choice for churches and schools. This setting is from Jose Mauricio Nunes Garcia's 1811 Christmas Eve Mass

This 18th-century Italian piece is part of a larger work, Miserere in F Minor. This edition is based on a handwritten copy by Johann Simon Mayr and is scored for treble choir with piano or optional

Adapted from the original, Hadyn's recognizable Gloria from Harmoniemesse is accessibly set for SAB voices. Lowered to G from the original B-flat, these ranges sit comfortably in the voice, and the

This, the first of Handel's four Coronation Anthems, has been a cherished part of the crowning of British royalty from George II in 1727 to the current sovereign, Charles III. Perform with the accessible

Tomas Luis de Victoria's (1548-1611) Renaissance setting of the Latin Nativity text is arguably the most famous setting that choirs have enjoyed as a standard during the Christmas season or at any time of

An excerpt from Vespers for the 21st Sunday after Trinity, this work is scored for tenor-bass choir, cello, and contrabass. Advanced singers will enjoy the contrast between the melismatic lines and the

This Baroque selection has been adapted for mixed or treble voices and given an accessible piano accompaniment in this excellent arrangement. Stylistically authentic, it gives great opportunity to teach

Many of these editions would not have seen the light of day had it not been for the extensive research and determination of Martin Banner. Here, this rather obscure Kyrie by Johann Adolf Hasse is

This Italian Baroque masterwork is an eight-minute work for mixed choir with a quartet of SATB soloists featured throughout. Largely polyphonic, it explores dramatic Baroque phrasing, articulation, and

G.F. Handel's iconic Hallelujah Chorus is an annual tradition for thousands of choirs around the world. Here is the standard version in all its glory for SATB choir with a piano or organ part

This piece from Missa Abreviada, CPM 112, has been edited for choir with solo quartet and piano accompaniment. Beginning slowly, the piece moves into a spirited fugal setting of the traditional Latin

From the American Romantic Choral Series comes this bright choral piece. The classical structure and contrapuntal writing make this a worthy anthem for concert or worship.

Careful editing and research bring this beautiful, polyphonic choral piece back to the performance hall. Part of the American Romantic Choral Series, this will be a great addition to festival and collegiate

From the American Romantic Choral Series comes this unusual choral piece. William Bradbury is most known for his hymns, such as Jesus Loves Me, but this motet in German beautifully displays his

From the American Romantic Choral Series comes this classical choral piece. Horatio Parker was a professor at Yale and one of the most influential composers of his time. His mastery of contrapuntal writing